Glass Wall Art
6602 creative works found
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Greta oto Published in the book Gaia the Living Planet
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Mamita Cohiba Habanna,Cuba 2007
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This Thornseat Lodge, a derelict house in Derbyshire, originally a Gamekeepers house, then in 1934 was turned into an orphange and was stopped being used in the late 80’s, now it is just falling apart, such a waste
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This image came about in an awesome way for me. Two weeks earlier, the model, Margrit, was telling me a bit about her life. She’s lived and travelled in many countries and taken lots of opportunities. She has also achieved great success with her photography. Several weeks later, I had an unusual chance to photograph her in an old train – the perfect location to reflect her life’s journey. / In Australia, Margrit has achieved her LAPS and AAPS, and is the only West Australian women to received international photographic honours AFIAP. She’s a perfectionist and it shines through in her work. Visit Margrit’s website
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One of my “bathroom mirror” self portraits. Keeps me occupied on foggy nights! : )
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Delightful baby welcomes home her parents. Taken in 1996 in Greystones Wicklow. I was taking portrait shots of the baby, she´s my cousins, through the kitchen back door window when the baby just latched herself onto the glass by her tongue and almost magnetically began to rise up the window frame. I could hardly take the picture for laughter. Group guidelines : / A fantastic Humorous card for many occasions, birthdays, births, suprises, invites etc! Buy a whole bunch now!
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Through A Glass Darkly. By Paul D Robertson Pastels 140 cms x 97 I like this piece very much. Sometimes in my work I can witness myself taking leaps of quality, and I believe that this is one of those times. It is an indescribable sensation to see my own hands make something such as this. I begin the with a person, a woman, before me, some materials – paper, chalk, paint. At the end of the slow still hours quickening my fingers, I surface from the fugue and wake from the trance of working. And sometimes I have something before me that is beautiful that did not exist, that what the world did not hold before I began. And it will last for centuries. I love the idea of obscured reflections and scattered and refracted light – my desire to work is pushed further every time I stumble upon something I know I must pursue. In many of my works, whenever it is practical, I will place a left-hand print on a wall or smudging a piece of glass. I have done this for years, and I will never stop. Recently the idea occurred to me that since this has become one of the defining symbols within my work, I could execute a piece based entire on the idea. So I made it happen. I forced it into existence. And I am so left handed, you see, that I almost walk with a limp.
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Modelling and Styling: Jo O’Brien and Sarah Lea Cheesecake
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This was taken after many attempts at trying to capture the dynamics of water. / You have no idea how wet I got during the shooting of this series.
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A different perspective on the world. Also a nice seasonal picture. It’s a picture of glass globes that have been hanging in the front window at home and I took the picture through them into the winter wonderland outside. It’s not a recent picture, it was taken two, maybe three winters ago. Thought I’d put it up and let it get some exposure! I’m really happy with how it turned out! I hope you enjoy this piece. Any and all comments welcomed and appreciated! Random work on my RedBubble: / To purchase other items such as photo prints mouse pads mugs magnets postcards, and coasters / Please visit the link below: / Click here to buy other products with this piece / (Don’t worry, it is a safe link. Any questions please BubbleMail me, thanks and enjoy!)
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This child watched through a broken window as we worked inside. It’s times like this when the natural, uncontrived symbolism of circumstance just presents itself to you and all you have to do is click. There was not pretence, no staging, no crap. Just reality. It still engages me now. Look at his eyes. What is he thinking? He’s aching. He is full on aching. How can I help them more, how can I help them more, how can I help them more… Please give if you can or pass it on to someone else. That’s giving too. All proceeds to charity. NOW AVAILABLE AS A CHRISTMAS CARD! /
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Resembled a ballet dancer Greta oto
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It’s Paris, It’s the Louvre, It’s the Glass Pyramid from the Da Vinci Code. It’s also a 10-20mm lens and above all… a pleasure and privilege to have been there again!
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Thank you for stopping by for a wee look and for whatever feedback you may wish to leave. :-) / Andreas Stridsberg / www.mystic-pic.com
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The Titanic smashed into the iceberg. / Screams broke out along with utter pandemonium. / Nevertheless, the men with their instruments in their tidy little suits, sat upright, swallowed hard, and with swift acceptance began playing the most heartfelt rendition of “Nearer My God To Thee” they’d ever played or known before… / / and then all was silent. / / sold: 1 mounted print / (to RB member) / / / / /
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Every girls dream – a trolley full of goodies!! / original photo of me pushing an empty trolley taken by chris waud, i added everything else in photoshop
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Thought since this seems to be my most popular piece I should perhaps upload a version of it big enough for those who care for it to have access to BIG PRINTS. So here you are then :) - Paul. Through A Glass Darkly. By Paul D Robertson Pastels 140 cms x 97 I like this piece very much. Sometimes in my work I can witness myself taking leaps of quality, and I believe that this is one of those times. It is an indescribable sensation to see my own hands make something such as this. I begin the with a person, a woman, before me, some materials – paper, chalk, paint. At the end of the slow still hours quickening my fingers, I surface from the fugue and wake from the trance of working. And sometimes I have something before me that is beautiful that did not exist, that what the world did not hold before I began. And it will last for centuries. I love the idea of obscured reflections and scattered and refracted light – my desire to work is pushed further every time I stumble upon something I know I must pursue. In many of my works, whenever it is practical, I will place a left-hand print on a wall or smudging a piece of glass. I have done this for years, and I will never stop. Recently the idea occurred to me that since this has become one of the defining symbols within my work, I could execute a piece based entire on the idea. So I made it happen. I forced it into existence. And I am so left handed, you see, that I almost walk with a limp.
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Friday August 3rd It happened again tonight. The old fool had left the door unlocked; and there, above the cages, some apparently empty and some housing pink-eyed rodents; stood the vessel containing the precious green liquid and marked with the words: “NOT FOR HUMAN CONSUMPTION” once more, at my disposal. Thanks to yesterday’s acquisition of a rather splendid pocketwatch, I have been able to establish that administration of about 2floz of the serum is sufficient to remain effective for approximately two hours. I have thus resolved that, weather permitting, tomorrow’s edification will begin with the short trip into town whereupon I will partake in what will no doubt be another fruitful bout of “shopping”, after which with any luck, there will be ample time for a spot of inexpensive dining followed by a close inspection of the ample figures belonging to those delightful ladies up there at Pedlar’s Lane bathhouse, whom I understand,usually prefer to keep themselves hidden away from prying eyes. Dash it… Awfully sorry ladies!
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Here’s one I shot back in Feb 2006 Playing with water, marbles and glass, combined with venetian blind shadows…. BEACH SHOTS / REAL ESTATE SERIES / NEW ZEALAND / FROGS / LENSBABY / INFRARED / INDUSTRIAL / SPAM / PANORAMAS / LANDSCAPES
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Neon colours of a cherry in a glass
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Torre Agbar, barcelona, spain / national water board building
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This is a self-portrait of myself inspired by the art I always saw growing up as a Catholic. Just wondered how I might appear as a saint…...☺ / The original work was completed with watercolor and gouache media on Arches cold-press cotton rag.
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